伦理教养

年过半百的养蜂人老周一生被金钱困扰，身患重病后不愿拖累在外打拼的儿子，独自住进一家老旧酒店，打算在最后一夜写下遗书，安静告别。 　　可这一晚，他却接连迎来三位不速之客：行踪诡异的房客、闹得鸡飞狗跳的年轻人、带着熟悉气息的少女。 　　三段荒诞又惊险的奇遇，让老周亲身经历了如同电影般的“犯罪”“闹剧”“爱情”。他由此渐渐懂得，亲情与真心，远比金钱更加珍贵。一夜之间，他对人生、对陪伴、对爱，都有了全新的答案。

　　直播主玛菲司一家抵达即将开幕的度假村举办活动，然而他们从未料到，迎接他们的竟是恐怖的降临。为了揭开真相，阿序和好友天仁召集了一群网友，再次前往度假村探险，并希望通过这次探险在网络上获取流量。殊不知，他们即将卷入一场自1960年延续至今、从未停止过的邪恶祭典。

　　在纳粹德国，玩具制造商拥有一本神秘的书籍，赋予无生命的生命。在躲过希特勒命令取回书的党卫军之后，这位玩具商登上了一列火车企图逃离该国。认为他很清楚，玩具制造商很快就发现，一批高级纳粹军官也加入进来。最终，他的秘密被揭露出来，纳粹关闭。但是，玩具制造商已经使用这个神奇的东西来带来一个名叫罗伯特的复古娃娃来生活 - 而罗伯特将毫无阻碍地保护他的主人。所以，当玩具制造商和杀手娃娃拿起纳粹时，就开始了一场血腥的战斗。这是对死亡的一场战斗，只有胜利者才会在下一站下车。

　　平静的一天，事业小有成就的中年男子杰米（费尔南多·卡约 Fernando Cayo 饰）和妻子玛尔塔（安娜·瓦格纳 Ana Wagener 饰）、女儿伊莎（曼纽拉·维拉斯 Manuela Vellés 饰）搬入了梦寐以求的大房子内。正当一家人争论晚上该不该一起度过时，三个蒙面歹徒闯入房中。为了保护家人的安全，杰米积极配合，抄下了信用卡号码并交出手机，并随同歹徒的首领外出取钱。他时刻寻找机会报警，却不知自己所面对的是根本不会妥协的冷血恶魔。另一方面，不断有访客扣响杰米家的房门，恐慌的玛尔塔母女则想尽一切办法逃脱，似乎又让一切变得更加糟糕。　　似无止境的长夜，愈加黑暗幽冷……

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Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster