Disco性狂热

对于16岁的女孩Jung-hee来说，一年中最困难的一天是她祖母的阵亡将士纪念日。郑熙通常很难和酗酒的母亲相处，但在这一天，她大喊大叫的祖父的妹妹来了。她每年都会责骂正熙的母亲和叔叔，问她为什么为自杀的祖母做追悼会，而不考虑找到离家出走的祖父。自从他的祖父在正熙出生的那天失踪后，正熙不知怎么地觉得这是她的错。所以Jung-hee决定去冒险，在那里她可以解开所有的秘密，结束她母亲的青春期。

出身穆斯林家庭的少女法蒂玛，即将前往巴黎读大学。站在人生岔路口，她面临性向与信仰的缠斗。对女体难以启齿的贪恋，化为交友软件上无数个假名与忘我缠绵的幽会。随着晨祷掺入杂念，法蒂玛遇见命定的那个她，在亲密关系里感受爱与伤，却依旧迷茫。四季递嬗间，那些扪心自问的日与夜，会将法蒂玛带往何方？

　　因流感感染的死者突然复活，变成丧尸开始疯狂撕咬活人，被咬后的活人纷纷变成丧尸，一场末日丧尸之战自此开始...

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster